{"id":1204,"date":"2014-07-25T13:47:16","date_gmt":"2014-07-25T13:47:16","guid":{"rendered":"https:\/\/niemanstoryboard.org\/2014\/07\/25\/storytelling-tips-from-the-creative-minds-behind-house-of-cards-the-newsroom-pbs-the-moth-and-more\/"},"modified":"2024-03-04T20:15:06","modified_gmt":"2024-03-04T20:15:06","slug":"storytelling-tips-from-the-creative-minds-behind-house-of-cards-the-newsroom-pbs-the-moth-and-more","status":"publish","type":"post","link":"https:\/\/niemanstoryboard.org\/2014\/07\/25\/storytelling-tips-from-the-creative-minds-behind-house-of-cards-the-newsroom-pbs-the-moth-and-more\/","title":{"rendered":"Storytelling tips from the creative minds behind &#8216;House of Cards,&#8217; &#8216;The Newsroom,&#8217; PBS, The Moth and more"},"content":{"rendered":"    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-html mb-5   max-w-screen-full mx-auto\">\n            \u201cThe most important element in a good story is conflict. It\u2019s seeing two opposing forces collide with one another.\u201d That\u2019s from\u00a0<a href=\"https:\/\/twitter.com\/BeauWillimon\" target=\"_blank\" rel=\"noopener noreferrer\"><b>Beau Willimon<\/b><\/a>, the showrunner for\u00a0<i>House of Cards<\/i>, and he\u00a0<a href=\"http:\/\/www.theatlantic.com\/video\/index\/374941\/what-makes-a-story-great\/\">said it<\/a>\u00a0at this year\u2019s Aspen Ideas Festival, as part of\u00a0<i>The Atlantic<\/i>\u2019s \u201c<a href=\"http:\/\/www.theatlantic.com\/video\/#series\">Big Question<\/a>\u201d series.\u00a0<i>The Atlantic\u00a0<\/i>also talked to former Disney CEO\u00a0<b><a href=\"https:\/\/twitter.com\/Michael_Eisner\">Michael Eisner<\/a><\/b>, musician\u00a0<b><a href=\"https:\/\/twitter.com\/yonibloch\">Yoni Bloch<\/a><\/b>, The Moth artistic director\u00a0<b><a href=\"https:\/\/twitter.com\/burnzieny\">Catherine Burns<\/a><\/b>, PBS President\u00a0<b><a href=\"https:\/\/twitter.com\/paulakerger\">Paula Kerger<\/a><\/b>,\u00a0<i>The Newsroom\u00a0<\/i>producer (and former Obama speechwriter)\u00a0<b><a href=\"https:\/\/twitter.com\/jonlovett\">Jon Lovett<\/a><\/b>, and public radio\u2019s\u00a0<b><a href=\"https:\/\/twitter.com\/jay_allison\">Jay Allison<\/a><\/b>, whose answer was, \u201cHonesty. And grace.\u201d Best\u00a0<a href=\"http:\/\/www.theatlantic.com\/video\/index\/374941\/what-makes-a-story-great\/\" target=\"_blank\" rel=\"noopener noreferrer\">two minutes and 46 seconds<\/a>\u00a0you\u2019ll spend today, straight up:<br \/><br \/><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/geG8E_ocYDY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\n        <\/div>\n    <\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe most important element in a good story is conflict. It\u2019s seeing two opposing forces collide with one another.\u201d That\u2019s from\u00a0Beau Willimon, the showrunner for\u00a0House of Cards, and he\u00a0said it\u00a0at this year\u2019s Aspen Ideas Festival, as part of\u00a0The Atlantic\u2019s \u201cBig Question\u201d series.\u00a0The Atlantic\u00a0also talked to former Disney CEO\u00a0Michael Eisner, musician\u00a0Yoni Bloch, The Moth artistic director\u00a0Catherine [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4965,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[12],"tags":[],"topics":[],"authors":[61],"issue":[],"class_list":["post-1204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essays-on-craft","authors-paige-williams"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Storytelling tips from the creative minds behind &#039;House of Cards,&#039; &#039;The Newsroom,&#039; PBS, The Moth and more - Nieman Storyboard<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/niemanstoryboard.org\/2014\/07\/25\/storytelling-tips-from-the-creative-minds-behind-house-of-cards-the-newsroom-pbs-the-moth-and-more\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Storytelling tips from the creative minds behind &#039;House of Cards,&#039; &#039;The Newsroom,&#039; PBS, The Moth and more - Nieman Storyboard\" \/>\n<meta property=\"og:description\" content=\"\u201cThe most important element in a good story is conflict. It\u2019s seeing two opposing forces collide with one another.\u201d That\u2019s from\u00a0Beau Willimon, the showrunner for\u00a0House of Cards, and he\u00a0said it\u00a0at this year\u2019s Aspen Ideas Festival, as part of\u00a0The Atlantic\u2019s \u201cBig Question\u201d series.\u00a0The Atlantic\u00a0also talked to former Disney CEO\u00a0Michael Eisner, musician\u00a0Yoni Bloch, The Moth artistic director\u00a0Catherine [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/niemanstoryboard.org\/2014\/07\/25\/storytelling-tips-from-the-creative-minds-behind-house-of-cards-the-newsroom-pbs-the-moth-and-more\/\" \/>\n<meta property=\"og:site_name\" content=\"Nieman Storyboard\" \/>\n<meta property=\"article:published_time\" content=\"2014-07-25T13:47:16+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-03-04T20:15:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/the-big-question.png\" \/>\n\t<meta property=\"og:image:width\" content=\"979\" \/>\n\t<meta property=\"og:image:height\" content=\"526\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"commonmedia\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"commonmedia\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/niemanstoryboard.org\\\/2014\\\/07\\\/25\\\/storytelling-tips-from-the-creative-minds-behind-house-of-cards-the-newsroom-pbs-the-moth-and-more\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/niemanstoryboard.org\\\/2014\\\/07\\\/25\\\/storytelling-tips-from-the-creative-minds-behind-house-of-cards-the-newsroom-pbs-the-moth-and-more\\\/\"},\"author\":{\"name\":\"commonmedia\",\"@id\":\"https:\\\/\\\/niemanstoryboard.org\\\/#\\\/schema\\\/person\\\/ad131fac9b2e8136d6171c8575cfc226\"},\"headline\":\"Storytelling tips from the creative minds behind &#8216;House of Cards,&#8217; 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