{"id":2244,"date":"2022-02-02T13:00:52","date_gmt":"2022-02-02T13:00:52","guid":{"rendered":"https:\/\/niemanstoryboard.org\/2022\/02\/02\/sticking-a-story-together-and-nailing-the-structure\/"},"modified":"2024-10-17T17:04:37","modified_gmt":"2024-10-17T17:04:37","slug":"sticking-a-story-together-and-nailing-the-structure","status":"publish","type":"post","link":"https:\/\/niemanstoryboard.org\/2022\/02\/02\/sticking-a-story-together-and-nailing-the-structure\/","title":{"rendered":"Sticking a story together \u2014 and nailing the structure"},"content":{"rendered":"    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p class=\"has-drop-cap\">I\u2019ve heard that most writers struggle with structure. But when you\u2019re alone, surrounded by a mountain of notes and staring at a blank computer screen, it can feel like you\u2019re the only one who hasn\u2019t figured out the secret formula. I often work on long projects for months or even years, gathering a million bits and pieces: facts, journals, reports, scenes, details and quotes. It can be overwhelming.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Then about 10 years ago, at a workshop through the Poynter Institute, I was introduced to the power of a one-word story theme. (Thank you,&nbsp;<a href=\"https:\/\/www.lanedegregory.org\/\">Lane DeGregory<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/mediaschool.indiana.edu\/people\/profile.html?p=thfrench\" target=\"_blank\" rel=\"noreferrer noopener\">Tom French!<\/a>) It was an eye-opener for me, but I felt I needed more to my process. That\u2019s when I began using Post-it notes so I can visualize the story laid out in front of me and move parts around easily if I have to.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Here\u2019s how it works:<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    <div class=\"\">\n        <div class=\"block block--core block--core-list mb-4 list max-w-screen-full mx-auto pl-5 \">\n            \n<ol class=\"wp-block-list\">\n<li>I keep my notes in files with titles, stacked on the left side of my desk. Before writing, I stick my story together on Post-its. It transports my reporting from the notebooks to the desk, and lays the story parts out in front of me.<\/li>\n\n\n\n<li>Before I start the actual writing, I read through all my notes, underlining the best bits. I then decide on a one-word theme. It\u2019s a very basic and effective method, where I boil the whole story down to only one word and organize my story from there. The word tends to have a universal resonance \u2014 things like SURVIVAL, NORMALITY, GREED, LONELINESS. It is not an angle or structure, but an overarching theme that provides a cohesive center and guides me to make good choices with my material. It is what is called a\u00a0<a href=\"https:\/\/tamsenwebster.com\/what-is-the-red-thread-and-how-do-you-use-it\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cred thread\u201d<\/a>\u00a0in some cultures, including mine in Scandinavia \u2014 a term we use to describe the \u201cthroughline\u201d that holds the larger story together and helps it make sense.<\/li>\n\n\n\n<li>I write my one-word on a Post-it note and stick it in front of me. It helps me choose what to highlight in a story and what to leave out. I very rarely change my one-word theme as I work forward.<\/li>\n\n\n\n<li>I then go through my notes again, picking out scenes, facts and quotes, all the time paying attention to my one word. There has to be correspondence: The prominent scenes, quote and notes have to support or serve the theme. (Contrary information or need-to-know context can\u2019t be left out if it undermines the credibility of a piece, but detours have to be essential and short.) I write those chosen bits in brief keywords on Post-its. Sometimes I use different colors: Scene, details and juicy stuff in red; background, facts and quotes in black. When the notes are piled up on my right, I start to organize and group them in sub-themes.<\/li>\n\n\n\n<li>That\u2019s when I zero in on my structure. Is this a straightforward chronological story? A braided plot with more than one character? Or a typical scene-background-scene story, which is often called a broken or woven narrative? Sometimes I write a timeline to help identify the best opening scene, an optional flashback etc. And then I begin arranging the Post-its on the desk to build my structure, just like building a storyboard for a film.<\/li>\n\n\n\n<li>The beginning and ending are crucial here. Do they correspond? Is the main question driving the reader through the story answered by the end? Do I have the nut graph or nut section in the right place? And what about the ending of each scene and each paragraph: Will they keep the readers engaged and keep them hooked? The different colors help me get a visual idea about whether I have the right mix of potatoes and sauce, which is how I think of background or exposition and narrative scenes.<\/li>\n\n\n\n<li>Then I just write it all from there. Sometimes I move my notes around if I realize the flow is wrong. But very often I do not need to do any structural work after this.<\/li>\n\n\n\n<li>The organizing takes half a day or so \u2014 for the long stories, maybe a day in total \u2014 but saves me time in the end. A fresh example: I recently spent a year reporting on-and-off for an immersion story. I had 12 notebooks \u2014 almost 100 full pages of transcribed notes, medical records, SMS-correspondence etc. When it came time to write, I spent one day reading and organizing and plotting my sticky notes. Then I wrote the whole first draft of a 6,000-word story in less than two days.<\/li>\n<\/ol>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>The photo above is of my desk in 2016 as I was working on a long feature story about the division in the Danish labor market. Some people felt left out of the workforce due to lack of skills, education or physical or mental problems. At the same time, the attitude in the Danish welfare system was changing toward those who have difficulty holding a job. I had good scenes but several characters, and also a huge amount of facts, explanatory and material. It all needed to fit together neatly.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>My one word was GAP \u2014 my reminder that I was writing about the gap in society between people with valued jobs and those feeling left out.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Now I use this method whenever I am doing a story where a narrative with a central character is involved. That could be a feature story or profile for the weekend edition of the newspaper, or long, immersive projects for magazines or books. I find that even with short pieces or just a quick news profile, getting the structure right saves me a lot of time. With longer pieces it is crucial not to get lost.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>I don\u2019t remember learning the Post-it technique anywhere specific. I developed it myself in ways that work for me, although a lot of people use some variation of it.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>When I teach or coach, I always walk students through the technique, and I know many use it afterwards.&nbsp;Recently I taught an intern trainee in my newsroom, where I am an editor, the principles of Post-it structure in 10 minutes. We had interviewed two women and had to braid their story together with historical facts and expert quotes.We had very little time \u2014 the story was running the next day. But with the Post-its in hand, the structure only took half-an-hour to outline, and he managed to write a very beautiful piece in a few hours.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>***<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p><em><strong>Line Vaaben<\/strong>&nbsp;is writer and editor for Politiken, the largest daily newspaper in Copenhagen. Her work has been published in several textbooks, and she teaches narrative and longform journalism. She is currently working on a book about femicide in Denmark.<\/em><\/p>\n\n        <\/div>\n    <\/div>\n","protected":false},"excerpt":{"rendered":"<p>A top Danish journalist uses a one-word theme and color-coded Post-its to find the path through her stories<\/p>\n","protected":false},"author":1,"featured_media":9095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[12],"tags":[],"topics":[],"authors":[324],"issue":[],"class_list":["post-2244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essays-on-craft","authors-line-vaaben"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sticking a story together \u2014 and nailing the structure - Nieman Storyboard<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/niemanstoryboard.org\/2022\/02\/02\/sticking-a-story-together-and-nailing-the-structure\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sticking a story together \u2014 and nailing the structure - 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