{"id":2279,"date":"2022-05-05T16:54:36","date_gmt":"2022-05-05T16:54:36","guid":{"rendered":"https:\/\/niemanstoryboard.org\/2022\/05\/05\/2022-power-of-narrative-editors-writers-pitching-structure\/"},"modified":"2024-11-18T20:29:43","modified_gmt":"2024-11-18T20:29:43","slug":"2022-power-of-narrative-editors-writers-pitching-structure","status":"publish","type":"post","link":"https:\/\/niemanstoryboard.org\/2022\/05\/05\/2022-power-of-narrative-editors-writers-pitching-structure\/","title":{"rendered":"2022 Power of Narrative: The matrix of editor, reporter and story"},"content":{"rendered":"    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p><em>EDITOR\u2019S NOTE: This is one of five posts from the 2022 Power of Narrative conference at Boston University. Read\u00a0<a href=\"https:\/\/storyboard.nieman.harvard.edu\/stories\/first-person-profiles-bu-narrative-conference\/\" target=\"_blank\" rel=\"noreferrer noopener\">Ellen Barry on first-person narratives,<\/a>\u00a0<a href=\"https:\/\/storyboard.nieman.harvard.edu\/stories\/deadline-narrative-sense-of-place-wildfires-bu-narrative-conference\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lizzie Johnson on deadline narratives,<\/a>\u00a0<a href=\"https:\/\/storyboard.nieman.harvard.edu\/stories\/invstigative-reporting-character-development-accuracy-fairness\/\" target=\"_blank\" rel=\"noreferrer noopener\">Debbie Cenziper on investigative narratives,<\/a><\/em>\u00a0<em>and\u00a0<a href=\"https:\/\/storyboard.nieman.harvard.edu\/stories\/empathy-interviewing-drug-addiction-word-choice-source-relationships-opioids\/\" target=\"_blank\" rel=\"noreferrer noopener\">Beth Macy and Martha Bebinger on covering drug addiction<\/a>.<\/em><\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p class=\"has-drop-cap\">The relationship between writers and editors is one of the most important in journalism \u2014 and can one of the most challenging.\u00a0<a href=\"https:\/\/www.benoitdenizetlewis.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Benoit Denizet-Lewis<\/a>, a longtime magazine journalist and best-selling author, and\u00a0<a href=\"https:\/\/www.nytco.com\/press\/staff-updates-from-the-new-york-times-magazine\/\" target=\"_blank\" rel=\"noreferrer noopener\">Illena Silverman<\/a>, deputy editor for features at The New York Times Magazine, have partnered on stories for 20 years now. \u201cI feel like I was a child when you essentially gave me my career,\u201d told Silverman.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>In a virtual conversation at the 2022 Power of Narrative conference, hosted by Boston University, the two discussed what an editor brings to a story, the puzzle of narrative structure and the importance of a good story pitch.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-heading   max-w-screen-full mx-auto\">\n            \n<h2 class=\"wp-block-heading\">Pre-reporting and pitching<\/h2>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Denizet-Lewis has been most successful with story pitches that have already identified characters and \u201creally have a sense of the narrative.\u201d He asked Silverman what, specifically, she looks for in a pitch.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Silverman:&nbsp;\u201cI just want a lot of depth. When you\u2019re working with great writers, what they can do is bring people to life, the way that novelists can bring people to life. \u2026&nbsp;I like all the details and the emotional nuances of how someone is experiencing something.\u201d<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>As an example, she referenced a Denizet-Lewis story from 2017 about&nbsp;<a href=\"https:\/\/www.nytimes.com\/2017\/10\/11\/magazine\/why-are-more-american-teenagers-than-ever-suffering-from-severe-anxiety.html\">American teens struggling with anxiety<\/a>.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>\u201cYou can\u2019t just send me a pitch that says: \u2018I want to write about anxious teens; it\u2019s really important,\u2019\u201d she said. \u201cYou had already identified exactly where you wanted to report.\u201d<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>She acknowledged the challenge that presents for freelancers, who must invest time in substantive pre-reporting without knowing if a pitch will be accepted: \u201cIt feels very unfair to me, but the truth is that the best pitches, the pitches that get assigned, are pitches where people have put a tremendous amount of unpaid work into it.\u201d<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-heading   max-w-screen-full mx-auto\">\n            \n<h2 class=\"wp-block-heading\">Structure: conventions and instinct<\/h2>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Silverman and Denizet-Lewis analyzed a 2021 story by Susan Dominus about&nbsp;<a href=\"https:\/\/www.nytimes.com\/2021\/05\/13\/magazine\/high-school-students-coronavirus-pandemic.html?action=click&amp;module=Top%20Stories&amp;pgtype=Homepage\" target=\"_blank\" rel=\"noreferrer noopener\">high school sophomores dealing with pandemic-era schooling<\/a>. It\u2019s a \u201cshow, don\u2019t tell\u201d narrative; the situations described are not expanded upon or explained by outside experts or sources.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>\u201cIt\u2019s kind of an atypical New York Times Magazine piece in that way,\u201d Silverman said . \u201cWe may have six or eight sections, and most of them are narrative, but sometimes depending on a piece, every other section will pull back and give context.\u201d<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Dominus attempted to write pullback sections in early drafts, but Silverman cut them: \u201cThey just weren\u2019t that interesting. There are a few paragraphs in the piece where it pulls back a little bit. But now they\u2019ve just become part of the narrative as opposed to separate sections.\u201d<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Dominus\u2019 story also lacked a clear central character, opting instead to move around from teachers to parents and children. \u201cThe metaphor that Sue had at some point was that she imagined it like a relay race where someone was like, handing the baton to the next person,\u201d Silverman said.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Although conventions can help a writer find the right structure for a long piece, they can\u2019t be manufactured. Editing decisions in Dominus\u2019 piece happened organically to serve the purpose and flow of the story. \u201cIt was just an instinct,\u201d Silverman said.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-heading   max-w-screen-full mx-auto\">\n            \n<h2 class=\"wp-block-heading\">Story therapy<\/h2>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Denizet-Lewis doesn\u2019t remember narrative, as a journalistic genre, being talked about much early in his career. \u201cBut that\u2019s what attracted me to being a magazine writer, was to write narrative.\u201d<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Silverman said she didn\u2019t know if narrative has expanded, but her self-confidence as an editor has: \u201cI think I\u2019ve gotten more comfortable in knowing what I want as a reader, like the kinds of stories that I want, what I\u2019m interested in.\u201d<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>That confidence and clarity has earned her a reputation among writers as something of a narrative therapist. Denizet-Lewis collected comments from other writers who have worked with Silverman, including one who described her as a&nbsp;\u201ca serial monogamist: She leaps from one intense, singularly focused relationship with a writer during the editing stages to the next singularly focused relationship.\u201d<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Silverman did not reject the analogy. \u201cMy mother and father are both psychologists. My sister is a psychologist,\u201d she said. \u201cIf one has been in therapy, the therapist sort of puts ideas out there and makes interpretations, and if it doesn\u2019t feel right to you, you have to say it doesn\u2019t feel right. I feel like my job as an editor is similar. I want to help you figure out what it is that you want to say.\u201d<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>***<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p><em><strong>Brian Foisy<\/strong>&nbsp;is sophomore journalism student at Boston University. He currently works as co-editor of the Daily Free Press opinion section and as a host for WTBU Sports\u2019 radio show.&nbsp;<\/em><\/p>\n\n        <\/div>\n    <\/div>\n","protected":false},"excerpt":{"rendered":"<p>How a longtime contributor and a top editor at The New York Times Magazine work together to create award-winning journalism<\/p>\n","protected":false},"author":1,"featured_media":9195,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[12],"tags":[407],"topics":[],"authors":[372],"issue":[],"class_list":["post-2279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essays-on-craft","tag-the-pitch","authors-brian-foisy"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>2022 Power of Narrative: The matrix of editor, reporter and story 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