{"id":2377,"date":"2023-01-19T20:01:42","date_gmt":"2023-01-19T20:01:42","guid":{"rendered":"https:\/\/niemanstoryboard.org\/2023\/01\/19\/profile-character-interviews-privacy-transparency-ethics\/"},"modified":"2024-10-21T16:40:11","modified_gmt":"2024-10-21T16:40:11","slug":"profile-character-interviews-privacy-transparency-ethics","status":"publish","type":"post","link":"https:\/\/niemanstoryboard.org\/2023\/01\/19\/profile-character-interviews-privacy-transparency-ethics\/","title":{"rendered":"A profile of a single mom trying to raise a &#8220;good man&#8221; balances transparency and privacy"},"content":{"rendered":"    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p class=\"has-drop-cap\">When Jose A. Del Real was on the lookout for people navigating the snarled thicket of American masculinity, he found an unexpected one: a 23-year-old waitress and single mom in northeast Wyoming. He was in the nation\u2019s least-populated state reporting for the Washington Post series \u201cMasculinity in America\u201d when he met Sarah, who had her own thoughtful and fraught experience with the issue.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>\u201cWe started chatting and she told me she\u2019d like to read a story that reflects how hard it is to raise young boys today, especially for single moms,\u201d Del Real said.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n<div class=\"wp-block-image\">    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-image mb-5   max-w-screen-full mx-auto\">\n            \n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"328\" height=\"328\" src=\"https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/Screen-Shot-2023-01-19-at-11.47.14-AM-e1729527855678.png\" alt=\"Washington Post reporter Jose A. Del Real\" class=\"wp-image-9475\" style=\"width:200px\" srcset=\"https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/Screen-Shot-2023-01-19-at-11.47.14-AM-e1729527855678.png 328w, https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/Screen-Shot-2023-01-19-at-11.47.14-AM-e1729527855678-300x300.png 300w, https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/Screen-Shot-2023-01-19-at-11.47.14-AM-e1729527855678-150x150.png 150w, https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/Screen-Shot-2023-01-19-at-11.47.14-AM-e1729527855678-40x40.png 40w, https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/Screen-Shot-2023-01-19-at-11.47.14-AM-e1729527855678-100x100.png 100w, https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/Screen-Shot-2023-01-19-at-11.47.14-AM-e1729527855678-200x200.png 200w, https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/Screen-Shot-2023-01-19-at-11.47.14-AM-e1729527855678-180x180.png 180w, https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/Screen-Shot-2023-01-19-at-11.47.14-AM-e1729527855678-115x115.png 115w, https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/Screen-Shot-2023-01-19-at-11.47.14-AM-e1729527855678-230x230.png 230w\" sizes=\"auto, (max-width: 328px) 100vw, 328px\" \/><figcaption class=\"wp-element-caption\">Jose A. Del Real<\/figcaption><\/figure>\n\n        <\/div>\n    <\/div>\n<\/div>    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p><a href=\"https:\/\/www.washingtonpost.com\/people\/jose-a-delreal\/\" target=\"_blank\" rel=\"noreferrer noopener\">Del Real<\/a>&nbsp;is skilled at reporting and writing about capital-I \u201cIssues\u201d in ways that steer clear of abstraction \u2014 just see the Storyboard annotation on his 2021 story about a&nbsp;<a href=\"https:\/\/niemanstoryboard.org\/stories\/a-narrative-on-the-political-divide-reported-from-the-inside-out\/\" target=\"_blank\" rel=\"noreferrer noopener\">family riven by politics<\/a>. So he didn\u2019t dismiss Sarah\u2019s comments. Instead, he used them as a clue, a guidepost and a treasure map for&nbsp;<strong>\u201c<a href=\"https:\/\/www.washingtonpost.com\/nation\/2022\/09\/13\/masculinity-america-wyoming-single-mother\/\" target=\"_blank\" rel=\"noreferrer noopener\">A Mother\u2019s Charge<\/a>,\u201d<\/strong>&nbsp;a nuanced profile about Sarah\u2019s struggle to raise a 5-year-old boy in a world that bristles with traps.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Still, it took much more than Sarah\u2019s comments to summon the story into existence: There were hours of interviews and detail-gathering; a sensitive approach to make sure Sarah understood what participation in the story meant; considerations that balanced reader transparency with privacy for Sarah and her son, and writing that unspooled in what Del Real describes as a \u201cbraided\u201d narrative.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>\u201cWe consulted with Sarah along the way and laid out our thinking. It was important that she have space to voice any concerns,\u201d Del Real said.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-spacer mb-5   max-w-screen-full mx-auto\">\n            \n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n<div class=\"block block-legacy-page-blocks legacy-page-blocks  \">\n\n    <h2 class=\"legacy-page-blocks-subhead\">Other posts featuring Jose Del Real<\/h2>\n\n    <div class=\" legacy-page-blocks-text\">\n            <p><a href=\"https:\/\/niemanstoryboard.org\/stories\/a-narrative-on-the-political-divide-reported-from-the-inside-out\/\" target=\"_blank\" rel=\"noreferrer noopener\">Inside America\u2019s political divide<\/a><\/p>\n\n    <\/div>\n\t\n<\/div>    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-spacer mb-5   max-w-screen-full mx-auto\">\n            \n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>The story and its powerful photos by&nbsp;<a href=\"https:\/\/www.washingtonpost.com\/people\/jabin-botsford\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jabin Botsford<\/a>&nbsp;was published as part of the Post\u2019s series exploring the male image in American culture. It fits snugly with Del Real\u2019s pieces about&nbsp;<a href=\"https:\/\/www.washingtonpost.com\/nation\/2022\/05\/23\/real-man-wyoming-suicide-masculinity\/\" target=\"_blank\" rel=\"noreferrer noopener\">a prevention specialist<\/a>&nbsp;tackling toxic masculinity,&nbsp; a&nbsp;<a href=\"https:\/\/www.washingtonpost.com\/nation\/2022\/11\/06\/eight-seconds-pain-or-glory\/\" target=\"_blank\" rel=\"noreferrer noopener\">bull-riding cowboy<\/a>&nbsp;and a blue-collar husband and father who wore women\u2019s clothes. But Sarah\u2019s story also stands on its own \u2014 a vivid profile of a women trying to raise her warm, curious boy into a good man.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>\u201cI was seeing a lot of commentary about the state of masculinity in America, but very few reported narratives about how people navigate these conflicts in their day-to-day lives,\u201d he told me. Real answered questions about the overall series and his reporting\/writing approach, then worked with Storyboard to annotate his story. His responses have been lightly edited for length and clarity.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p><strong><\/strong><strong>This story falls under the category of \u201cMasculinity in America\u201d in the Post. How did the idea explore that topic come about?<\/strong><\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-quote mb-5   max-w-screen-full mx-auto\">\n            \n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>It struck me a few months into 2022 that I was seeing a lot of commentary about the state of masculinity in America, but very few reported narratives about how people navigate these conflicts in their day-to-day lives. Male grievance, entitlement and drift are at the core of many of our culture wars today. But for whatever reason, journalists often write about gender without writing about men themselves. I thought it would be valuable to try to tell some stories about how men decide what kind of people they want to be and the cues they get from the broader culture about what a \u201creal man\u201d is. It\u2019s the sort of topic that\u2019s particularly suited to a narrative approach because it\u2019s so complicated and so individualistic, yet it adds up to something big and structural. The first story in the series was about&nbsp;<a href=\"https:\/\/www.washingtonpost.com\/nation\/2022\/05\/23\/real-man-wyoming-suicide-masculinity\/\" target=\"_blank\" rel=\"noreferrer noopener\">Bill Hawley, a county public health official<\/a>&nbsp;who spends all his time trying to get cowboys and military veterans to talk about their feelings. He is a suicide attempt survivor himself and had thought deeply about male despair. After that, I was drawn back to Wyoming, the Cowboy State, as a setting for several more of these stories. This brought some much-needed geographic discipline to a very broad topic. Next year I\u2019ll probably keep writing about this topic but expand the geographic scope.<\/p>\n\n        <\/div>\n    <\/div>\n<\/blockquote>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p><strong>What\u2019s been the reaction from readers and from Sarah?<\/strong><\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-quote mb-5   max-w-screen-full mx-auto\">\n            \n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>I don\u2019t think I\u2019ve ever had so many people write to me after a story \u2014 and I used to cover Trump! I must have received hundreds of direct emails about it. Before publishing, I went through the story with Sarah, section by section, so that she would know what was in it before it showed up online. I didn\u2019t share a draft, of course, but I wanted her to know how it would read ahead of time. She was overcome with emotion and said she was glad someone was writing about working class women and how they navigate these dynamics around male violence and entitlement.<\/p>\n\n        <\/div>\n    <\/div>\n\n\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>We have not been in touch since. Her life is chaotic and I\u2019m not a priority, which I understand. Her grandmother and I have corresponded quite a bit though. She said she admired the story but her one critical note was that she thinks Sarah&nbsp;will&nbsp;raise her son to be a good man, which is not a foregone conclusion in the piece I wrote. I do hope that\u2019s true.<\/p>\n\n        <\/div>\n    <\/div>\n<\/blockquote>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Here are a few craft gems from Del Real\u2019s comments in the annotation:<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    <div class=\"\">\n        <div class=\"block block--core block--core-list mb-4 list max-w-screen-full mx-auto pl-5 \">\n            \n<ul class=\"wp-block-list\">\n<li>When I\u2019m spending time with subjects, I\u2019m writing down everything that stands out to me. Later I go through my notebook and decide which details I can use to paint the clearest, most authentic and resonant portrait.<\/li>\n\n\n\n<li>A lot of pre-reporting can be done by phone. But there is absolutely no replacement for going to a place and spending time with your subject.<\/li>\n\n\n\n<li>The weight of their traumatic history hangs over the rest of the piece and complicates the central question of the story: Can she raise her son to be a good man?<\/li>\n<\/ul>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p><em><strong>Annotation:<\/strong>\u00a0Storyboard\u2019s questions are in red; Del Real\u2019s answers in blue. <\/em><\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n<div class=\"wp-block-image\">    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-image mb-5   max-w-screen-full mx-auto\">\n            \n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"625\" src=\"https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/justus-menke-hq6PfNbT_Zc-unsplash-scaled-e1674157514934.jpg\" alt=\"Photo of cowboy boot\" class=\"wp-image-9474\" srcset=\"https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/justus-menke-hq6PfNbT_Zc-unsplash-scaled-e1674157514934.jpg 500w, https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/justus-menke-hq6PfNbT_Zc-unsplash-scaled-e1674157514934-240x300.jpg 240w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n        <\/div>\n    <\/div>\n<\/div>    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-html mb-5   max-w-screen-full mx-auto\">\n            \nMASCULINITY IN AMERICA\n<h2>A MOTHER\u2019S CHARGE<\/h2>\n<h3>In cowboy country, a single mother tries to raise her boy to be a good man<\/h3>\n\n<em>In Johnson County, Wyoming<\/em><br \/>\n<br \/>\nThe waitress knows to be chatty and cheerful. She makes $3 per hour and lives on tips, so she smiles as she walks through the restaurant, especially at the men, who seem to expect it most. Her hair is long and curly; her clothes are tight. A lip ring and several tattoos hint at some irreverence but mostly they draw attention to her age, 23 years old. <span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">I&#8217;m sure there was no shortage of ways you could have opened this story. How did you land on a scene of Sarah at work?<\/span><span class=\"annotation annotation-blue\">I\u00a0made a few quick judgements here. I wanted to start the piece in March and end it in June, to give the narrative space to unfold in a longer arc. I knew that Sarah\u2019s abrupt decision to quit her waitress job and leave the ranch would be a pivotal moment in this story, even before I sat down to write. And lastly, the vulnerabilities and compromises inherent to tipped service work overlap nicely with the broader themes in the piece. (If you read closely, her physical appearance also changes over the course of these months, putting her more and more at odds with the expectations at work.) Starting at the restaurant was a way to set up a lot of those tensions right away. I also really liked the idea of readers first meeting Sarah there, which was where I first met her<strong><em>.<\/em><\/strong><\/span><\/span><br>\n<br>\n<br>\nShe introduces herself by her first name, Sarah, and for all anyone here knows or cares, these facts mark the beginning and the end of her story.<br \/>\n<br \/>\nBut at home, after she puts her 5-year-old son to sleep, she sometimes starts to cry and can\u2019t stop. She cries because the man she was building a life with betrayed her trust and abused her body. Because she should have left him but she stayed. Because of all that happened next.<br \/>\n<br \/>\nMore customers walk in. She gives them menus and takes their drink orders. She summons a bubbly voice to ask how their days are going.<br \/>\n<br \/>\nWork, for now, is this steakhouse in Buffalo, a rural town in northeast Wyoming at the base of the Bighorn mountain range.<br \/>\n<br \/>\nHome, for now, is a 10-acre ranch owned by her grandmother that has become Sarah\u2019s makeshift safe house. It is March, and winter has turned to spring since they came back home from out of state.<br \/>\n<br \/>\nShe does not have a plan.<br \/>\n<br \/>\nShe does not have any money.<br \/>\n<br \/>\nOut here in the heart of cowboy country, she barely has any cell reception.<br \/>\n<br \/>\nBut she has her precious and precocious son. She is astounded by the thoughts he can formulate. She thinks he might be an honest-to-God genius.<br \/>\n<br \/>\n\u201cMomma, are balloons made out of molecules just like we are?\u201d he asks her.<br \/>\n<br \/>\n\u201cMomma, do you have peripheral vision?\u201d<br \/>\n<br \/>\n\u201cMomma, what is the hottest planet? Is it Venus?\u201d <span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">I enjoyed these lines &#8230; they reveal Sarah&#8217;s son&#8217;s curious personality, and are probably familiar to anyone who&#8217;s been peppered with questions from a child. Did you make note of these questions because you knew you&#8217;d use them for this kind of effect? Or did that come together in the writing?<\/span><span class=\"annotation annotation-blue\">My notebook was absolutely full of these quotes. Just full of them. When I\u2019m spending time with subjects, I\u2019m writing down everything that stands out to me. Later I go through my notebook and decide which details I can use to paint the clearest, most authentic and resonant portrait. Here, it was important to me that readers understand who this special little kid is, how sweet and smart, because ultimately his future is what\u2019s at stake. Before I even knew where the story would start, I knew it would need to pivot almost immediately to some of these types of quotes.<\/span><\/span><br \/>\n<br \/>\nHe might be able to change the world, Sarah often says, if she can figure out how to raise him the right way. But she is also overwhelmed by the fear that her sweet boy could one day become a bad guy, like so many of the ones who have hurt her. Like the one they just escaped. She is worried about what he has already learned, or mis-learned, about what it means to be a \u201creal man.\u201d About all the ways she has already let him down.<br \/>\n<br \/>\n\u201cMen just take and take and take and take. That\u2019s what they are taught,\u201d she says. <span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">Sarah presents readers with a fascinating, complex and thoughtful profile subject. How did you meet her, and how did the idea for a story about her arise?<\/span><span class=\"annotation annotation-blue\">I was in northeast Wyoming reporting that first story. One evening, I met Sarah purely by chance at a restaurant where she was working. We started chatting and she told me she\u2019d like to read a story that reflects how hard it is to raise young boys today, especially for single moms. Right away I thought I thought that was a very good idea but I did not know I might want to write about her specifically. I didn\u2019t find out until later that she had just moved back to the region with her son after escaping an abusive relationship. At first, I just asked if we could stay in touch so I could pick her brain about being a young, single mom. I have a lot of conversations with people I never end up writing about; it\u2019s just part of my process as I think through potential story targets. We spoke on the phone several times while I was working on other stuff. I really admired how upfront she was about her own shortcomings and challenges, which is why I started thinking she\u2019d be a strong profile subject. There was also this gap between her ideals and her choices and circumstance that I thought was honest and very human.<\/span><\/span><br \/>\n<br \/>\nWhen her son was still a toddler, Sarah began to read about \u201ctoxic masculinity,\u201d a phrase that had become more widespread on the internet amid the #MeToo movement. She started to think about the ways gender had shaped her own life, about the cruel whims of men she had endured and was expected to endure.<br \/>\n<br \/>\nStrict and traditional notions of manhood, she believed, were not just dangerous but an outright lie \u2014 used to control women and men alike. Nowhere did this seem more relevant than in the back roads of her home state of Wyoming, the cradle of the American cowboy, where she had seen firsthand how violence, exaggerated masculinity and misogyny could reinforce one another.<br \/>\n<br \/>\nThese concerns extend beyond ideology into the realm of public health. Males are overwhelmingly responsible for violence in the United States, according to the most recent crime data published by the FBI. They committed about 80 percent of all reported violent crimes in the country in 2020, including 87 percent of homicides and 96 percent of rapes. Men themselves are often the targets, making up nearly 80 percent of people murdered in the country and also nearly 80 percent of suicides.<br \/>\n<br \/>\nWomen, meanwhile, disproportionately suffer from harm within their households. Among female homicide victims, according to past studies, half were killed by an intimate partner, compared with about 1 in 13 male victims. About 90 percent of all victims of rape are female.<br \/>\n<br \/>\nThe more she thought about the perils of masculinity, and the violence she had experienced firsthand, the more Sarah committed to raising her son to be a gentle and vulnerable man, an anti-cowboy even here on the frontier. It felt like an act of defiance. She scoured the internet for free research for \u201cboy moms.\u201d She took notes on parenting tips pushed to her phone by social media algorithms.<br \/>\n<br \/>\nThat was how the world would change, she thought. One child at a time. Her child.<br \/>\n<br \/>\nBut in the years that followed, Sarah saw her dreams repeatedly collide with her reality. She saw, again and again, how her trauma could be passed down to her son. She has struggled with how much blame she deserves for that inheritance.<br \/>\n<br \/>\nNow, she is back on the family ranch. She feels so much sorrow and guilt for what has happened, for what she has exposed her child to, that she struggles to get out of bed in the morning. She is thinking about what her grandmother told her, that she \u201ccan\u2019t keep swimming upstream forever.\u201d<br \/>\n<br \/>\nIf she stays here, as her grandmother has offered, Sarah does not have to worry about the electricity getting cut, about paying rent, about constant hunger pangs. But small-town life in Wyoming means small-town rules. It means raising her boy a certain way, according to tradition and all the standards of gender that entails. It means living her life a certain way, too.<br \/>\n<br \/>\nAnd so at work, for now, Sarah is the lightest possible version of herself. She is a pretty thing to be consumed in small bites. <span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">This is a striking couple of sentences. Do you remember how you were able to create this analogy?<\/span><span class=\"annotation annotation-blue\">Honestly, it just came to me while I was revising the first section. It\u2019s the sort of second-pass writing flourish that\u2019s only possible, at least for me, once I have a whole draft in place.<\/span><\/span><br \/>\n<br \/>\n* * *<br \/>\n<br \/>\nSarah is driving too fast up the highway into town to pick up her son from prekindergarten. She drives first along the north fork of the Crazy Woman Creek, then past the entrance to Crazy Woman Canyon, and finally past Crazy Woman Square on Buffalo\u2019s main street. Sarah ponders these landmarks as she pulls into the parking lot of the school in a GMC Jimmy that was once teal but is now overtaken by rust. <span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">You introduce the pervasiveness of the Crazy Woman moniker here, then revisit in paragraphs later for Sarah&#8217;s thoughts. I like how this portion primes readers for the later paragraphs, but did you consider placing those two sections closer together?<\/span><span class=\"annotation annotation-blue\">I thought the best way to make that breakout section land for readers would be\u00a0by sprinkling references to the Crazy Woman myth throughout the piece, like breadcrumbs. I wanted to create a sort of \u201caha!\u201d feeling, where various pieces suddenly fall together. As a reader, I love when something clicks all of a sudden, and as I writer I liked the idea of creating this kind of moment for others.<\/span><\/span><br>\n<br>\n<br>\nSarah brushes past the other parents without saying hello, her eyes trained on the ground while she walks her little boy to the car. When Sarah has a day off, they spend the late afternoons together drawing, or playing make-believe, or learning to skateboard. Today they drive to a playground.<br \/>\n<br \/>\n\u201cI don\u2019t have even one friend,\u201d her son says. \u201cNo one likes me for some reason.\u201d<br \/>\n<br \/>\nHe is being bullied at school, and sometimes he bullies back. But his face brightens when he spots two children. He swings his head to throw back his hair. It is long, blond and stringy, and constantly falls in front of his eyes.<br \/>\n<br \/>\n\u201cMaybe that kid with the long hair will want to be my friend,\u201d he says, running off.<br \/>\n<br \/>\nHe comes back a few minutes later.<br \/>\n<br \/>\n\u201cMom, it didn\u2019t work,\u201d he says as tears form.<br \/>\n<br \/>\nSarah\u2019s own eyes moisten. Her face falls.<br \/>\n<br \/>\nThe truth is that stability has been elusive on the meager wages of a single mom with a GED. They have moved around so much over the years, and her son hasn\u2019t had much practice building healthy friendships with other kids.<br \/>\n<br \/>\nAbout 1 in 4 children growing up in the United States live in single-parent homes, according to census data, and about 80 percent of single parents are single mothers. Such households are particularly vulnerable to poverty, hunger and housing instability.<br \/>\n<br \/>\nFor single mothers raising young boys, there is the added challenge of trying to raise sons amid escalating political polarization over American masculinity. Is it nature or nurture? Good, bad or neither? Sarah\u2019s heart fluttered with guilt a few years ago when her son told her he wanted a dad. Nearly 8 million boys in the United States \u2014 about 1 in 5 \u2014 are being raised without a father figure in their household. For Sarah, these challenges have been exacerbated by her significant mental health struggles, including bipolar disorder and addiction to drugs that include methamphetamine.<br \/>\n<br \/>\nWherever they go, she imagines people are asking themselves, <em>\u201cWhat kind of mother is that?\u201d<\/em><span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">You&#8217;re able to weave statistics throughout this story to link it to larger issues. What were your sources for that information?<\/span><span class=\"annotation annotation-blue\">That first sentence represents countless hours of digging through census spreadsheets for raw numbers and then doing some math to convert those into percentages. (I had some editors double-check my work.)\u00a0But we didn\u2019t want to weigh down the story, as a piece of writing, by stopping to give ourselves too much credit: This Number Is According To An Independent Washington Post Analysis Of Census Data. Success here was measured by how seamlessly we could fold these numbers into the narrative while keeping the piece moving.\u00a0A lot of the statistics in the piece were from my own original analysis because they weren\u2019t readily available on fact sheets;\u00a0I couldn\u2019t just Google and then plop them into the story.<\/span><\/span><br \/>\n<br \/>\nSarah briefly considered an\u00a0<a href=\"https:\/\/www.washingtonpost.com\/abortion\/?itid=lk_inline_manual_47\">abortion<\/a>\u00a0when she became pregnant at 16 years old, but she did not have the money to travel to the nearest clinic in Colorado. Instead, she dropped out of high school. Her son\u2019s father sometimes cheated on Sarah and their relationship didn\u2019t last long. She accused him of domestic violence, which he denied.<br \/>\n<br \/>\nHer life had been marked by instability even before then. When she was a toddler, her single mother abandoned her, landing Sarah in foster care. She sometimes thinks back to the intense hunger she would feel before she was adopted at 4 years old. After she was sexually abused in elementary school by a male member of her adopted family, she told therapists and her adopted mother what was happening but soon recanted her story for fear she would be sent away.<br \/>\n<br \/>\nAs the #MeToo movement kicked off in 2017, Sarah was 18 and living in Casper, Wyo. Her son was still a baby and Sarah was always short on cash. She began to have sex for money. She had struggled with postpartum depression, she said, and when her family found out about the sex work she felt so much shame that she overdosed on pills. For a time after that, Sarah performed in sexually explicit camera shows to supplement her income. No matter what she did, there was never enough money.<br \/>\n<br \/>\nThat was why, about two years ago, Sarah briefly thought about putting her son up for adoption. But she knew too many people who had been abused in the foster system like she had been. She couldn\u2019t trust that he would end up in a safe home, and so she couldn\u2019t go through with it.<br \/>\n<br \/>\nSoon their luck appeared to change: Sarah began a relationship with a tattoo artist who made a good living. Although he did not always treat her well, she says that felt like a small price to pay for some financial security.<br \/>\n<br \/>\n\u201cLook, Mom, there\u2019s more kids!\u201d Sarah\u2019s son whispers to her now.<br \/>\n<br \/>\nHe points to two boys who have just stepped onto the playground, one about his age and the other about 9 or 10 years old. The middle-aged man they are walking with leaves them at a park bench.<br \/>\n<br \/>\nSarah\u2019s son is beginning to play with the boys when a woman walks over and summons them wordlessly. Their mom.<br \/>\n<br \/>\n\u201cBye,\u201d the smaller boy calls out.<br \/>\n<br \/>\nIt is a custody handoff between two divorced parents, the kind in a neutral public space where the two parents never interact. But Sarah doesn\u2019t realize that. She thinks the other mom took one look at her and decided her kids were too good to play with her son.<br \/>\n<br \/>\nSarah recently cut her hair very short and is wearing a shapeless Carhartt coat over a Beetlejuice striped crop-top. She imagines all the things the other mom was thinking.<br \/>\n<br \/>\nWhy is she dressed like that?<br \/>\n<br \/>\nWhy is her hair so messy?<br \/>\n<br \/>\n<em>What kind of mother is that?<\/em><br \/>\n<br \/>\n<span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">I&#8217;m impressed with how deep you&#8217;re able to dive into Sarah&#8217;s thoughtfulness. How many times did you talk to her? Do you have any advice for journalists on interviewing to elicit the kind of details and thoughts you&#8217;re able to excavate?<\/span><span class=\"annotation annotation-blue\">Trust is an iterative process. You have to earn it. I think I probably spent a dozen hours on the phone with Sarah before visiting, over the course of maybe five or six phone calls. The first few hours of phone calls were just absorbing her story in a broad way. Then, as more trust formed, we talked about some of the more painful details. After enough time, conversations almost always begin to flow more freely, which provides opportunity to interrogate someone\u2019s interior life more intentionally before you ever even book a plane ticket. A lot of pre-reporting can be done by phone. But there is absolutely no replacement for going to a place and spending time with your subject. This is when you can test what they say against how they live, when you can see how they interact with others, how they engage with ideas, how they structure their time, etc.<\/span><\/span>\n<br>\n<br>\n* * *<br \/>\n<br \/>\nThe ranch where Sarah and her son are staying adjoins a 2,600-acre cow-and-calf operation, the heart of the state\u2019s agricultural economy. This is the land of real cowboys, the inspirational backdrop for countless fantasies about American masculinity.<br \/>\n<br \/>\nSarah is in the garden when her brother comes out of the trailer where he lives, across the gravel driveway, and tells her about a branding that\u2019s coming up next weekend. It\u2019s a big community event during which calves are marked with hot iron. But first, the calves must be separated from their mothers.<br \/>\n<br \/>\n\u201cIt\u2019s so sad. They\u2019re taking the babies away from their moms, right after they\u2019re born,\u201d Sarah says.<br \/>\n<br \/>\n\u201cThey\u2019ve been together for three or four months already,\u201d he says.<br \/>\n<br \/>\n\u201cI don\u2019t know what\u2019s worse,\u201d she says.<br \/>\n<br \/>\nHer brother responds with a shrug. That\u2019s ranch life. Hamburgers and steaks make their way to dinner plates across the country from here, including at the restaurant where Sarah sometimes serves an item from the menu called the Crazy Woman Ribeye.<br \/>\n<br \/>\nBut there are uplifting parts, too. He tells Sarah about a neglected horse he has been rehabilitating, and he invites them to come see it later. It seems like a great activity for a boy.<br \/>\n<br \/>\nAs they drive down a dirt road to the stable later that day, her son seems less than thrilled.<br \/>\n<br \/>\n\u201cI do not want to get kicked,\u201d he tells her urgently.<br \/>\n<br \/>\nThe neighboring ranches they pass can be sized up in any number of ways. By land. By cattle and crop. By water access.<br \/>\n<br \/>\nAnd also by recent suicides. They are\u00a0<a href=\"https:\/\/www.washingtonpost.com\/wellness\/2022\/01\/20\/what-does-endemic-mean\/?itid=lk_inline_manual_80\">endemic<\/a>\u00a0out here, especially among men, who, according to data by the Centers for Disease Control and Prevention, in 2020 accounted for 84 percent of suicides in Wyoming, which has the highest rate per capita of any state. Another part of ranch life. The male suicide rate in the state is more than twice as high as the national average.<br \/>\n<br \/>\nThe romance of the American cowboy is lost on Sarah. She thinks about the combination of delusion and despair and entitlement she has seen in so many of the men around her. She toggles between empathy and rage.<br \/>\n<br \/>\nSarah suspects that a lot of the unhappiness men feel has to do with the gaps between the script they internalize and the reality of modern American life. \u201cReal men\u201d are meant to be stoic providers, lone cowboys who dole out justice and protection. But the world has changed, not to mention the economy. Why shouldn\u2019t norms around gender change as well? Sarah wonders. What do working women like her get out of the gender bargain?<br \/>\n<br \/>\n\u201cI think men are scared,\u201d she says. \u201cThey\u2019re so ashamed to even talk about their emotions that they\u2019re not even going to admit that they need help.\u201d<br \/>\n<br \/>\nIn 2020, still reeling from her favorite cousin\u2019s suicide, Sarah began a serious relationship with one of his close friends. Her new boyfriend was edgy, which she was often drawn to in men, but also willing to be vulnerable with her. They talked about their difficult childhoods. She told him how much it still hurt that the man who sexually abused her as a girl was never held accountable or even ostracized from their family. He shared stories about all the friends of his who had died of overdoses or had gone to prison.<br \/>\n<br \/>\nHe gave her a lot of affection. Sarah remembers feeling surprised when he said he loved her a few days into their relationship.<br \/>\n<br \/>\n\u201cI was just so thirsty for any love that I took it,\u201d she says.<br \/>\n<br \/>\nHe also began to introduce her to drugs that she had never tried before, she says, an escalating menu of narcotics that included heroin and fentanyl.<br \/>\n<br \/>\nFinancially, their relationship gave Sarah the greatest sense of stability she had ever known. The amount of money he made as a tattoo artist was unbelievable to her, hundreds of dollars in a single day. He encouraged her to try becoming a tattoo artist, too, and he promised to teach her. She had always loved drawing, and this seemed like a way to get paid for it.<br \/>\n<br \/>\nShe felt like something was finally working in her life the way it was supposed to. Sarah hoped her grandmother, who had gone to college in the 1950s and had a middle-class life, was proud to see her finding her way.<br \/>\n<br \/>\nSarah was also impressed by her boyfriend\u2019s interest in her little boy. He offered to babysit and began to co-parent with her. The three moved in together in Casper. Her son called her at work one day, she recalls, to say he wanted this man to be his dad.<br \/>\n<br \/>\nSome things make more sense in hindsight.<br \/>\n<br \/>\nHer boyfriend could be controlling, though it began in small ways that were hardly perceptible to her. He would pour water on her when he didn\u2019t like what she was wearing. Other times, he would physically restrain her when they argued, enough that it hurt. He would also hound her to take drugs with him, she says, even when she was too tired and not in the mood. She went along with it. She told herself it was okay because she only did so when her son was safe and asleep.<br \/>\n<br \/>\n\u201cI\u2019d think, like, \u2018You\u2019re never going to find somebody to love you if you don\u2019t loosen up every now and again,\u2019 \u201d she says. \u201cI should have known better, but I didn\u2019t.\u201d<br \/>\n<br \/>\nEven when her boyfriend hurt her, Sarah thought about all he had endured as a child, and she felt pity for him. She felt like she could help him.<br \/>\n<br \/>\nIn late spring of 2021, they moved together to Mississippi\u2019s Gulf Coast on the promise that he could make good money there doing tattoo art and Sarah could continue learning as an apprentice. One day, while they were arguing, she recounts, he wrapped a seat belt around her neck and began choking her.<br \/>\n<br \/>\nShe found<strong>\u00a0<\/strong>a private safe house for battered women, she says, where they spent her son\u2019s fifth birthday.<br \/>\n<br \/>\nSarah felt shocked by how isolated and vulnerable she had become. She looked down at her body and realized it was covered with tattoos inked by this man, brandings that now felt grotesque. She realized that he had used affection and curated vulnerability as a weapon against her. It was another kind of toxicity.<br \/>\n<br \/>\n\u201cWe\u2019re brainwashed as women. We\u2019re so sympathetic to men to the point where it\u2019s dangerous,\u201d she says. \u201cWe\u2019re supposed to give and give and give until you have nothing left to give. And then you continue to give.\u201d<br \/>\n<br \/>\nNearly $3,000 in stimulus payments from Washington helped her get on her feet. She bought a used car and got her own place.<br \/>\n<br \/>\nThat should have been the end of it.<br \/>\n<br \/>\nBut when a male neighbor began to bang on her door one night, she called her ex-boyfriend for help. They had been texting. He started coming around again.<br \/>\n<br \/>\n\u201cThat\u2019s when I really f&#8212;ed up,\u201d she says.<br \/>\n<br \/>\nBack at the ranch now, Sarah\u2019s brother is giving her and her son a tour of the equipment they use to brand the calves. He assures Sarah that they are treated well and with dignity. He begins showing them how to train a horse not to buck, to \u201cbreak it\u201d so it is safe to ride.<br \/>\n<br \/>\nHere, Sarah sees proof that a \u201creal man\u201d can be someone who helps people around him without exacting a price. It was her brother who drove down to Mississippi from Wyoming to bring her back home. They refer to it as \u201cthe rescue mission.\u201d<br \/>\n<br \/>\n\u201cI feel like when men hear us talking about toxic masculinity, they think we\u2019re trying to make them into the bad guy,\u201d she says. \u201cThat\u2019s not really how it is. I feel like they just don\u2019t understand what masculinity is. It doesn\u2019t have to be toxic.\u201d<br \/>\n<br \/>\nSarah looks around the property, breathing in the familiar scent of mud and manure. She feels bittersweet. They have a steady life here. But she is unsure how much longer she can stay. She drinks heavily some nights and is becoming restless. Since she left Mississippi she has stopped shaving her armpits, another reclamation of her body, another rebellion.<br \/>\n<br \/>\nIs this the kind of life she wants for herself? For her son?<br \/>\n<br \/>\nShe asks him what he thinks.<br \/>\n<br \/>\nHe says the ranch is okay.<br \/>\n<br \/>\n\u201cI didn\u2019t like the South because I was attacked,\u201d he adds.<br \/>\n<br \/>\nThe adults hold their breath.<br \/>\n<br \/>\n\u201cWhat do you mean?\u201d she asks.<br \/>\n<br \/>\nHer body is tense, but her voice is sweet. Her face is neutral.<br \/>\n<br \/>\n\u201cWhen I was attacked by the ants!\u201d he tells her.<br \/>\n<br \/>\nHe bursts into a laugh.<br \/>\n<br \/>\nIt\u2019s just a funny story. <span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">This section is so tense, and wrenching, and at the end, surprising. How deliberate was the choice to shift into single-sentence paragraphs here to keep it taut?<\/span><span class=\"annotation annotation-blue\">It was absolutely intentional. Just before this exchange, in the shift from past to present, readers have already been alerted that they need to brace themselves. Here, I wanted to drive the tension forward with an almost staccato drum cadence that builds but is not resolved, which would then carry into the next section. This is true to life; Sarah is always bracing for what might come up, and the stakes are very high each time.<\/span><\/span><em>\u00a0\u00a0<\/em><br \/>\n<br \/>\n* * *<br \/>\n<br \/>\nWhen he misbehaves or throws tantrums, there is nobody better suited to soothing this little boy than Sarah. If he is getting frustrated, she patiently tells him things like \u201clet\u2019s slow down, kiddo.\u201d If he is unable to focus, she calmly instructs him to \u201cremember your breathing.\u201d When he begins to yell, she tells herself and then him that \u201canger is usually just sadness with nowhere to go.\u201d<br \/>\n<br \/>\nRight now, he is refusing to pick up the Legos at the public library in Buffalo, so she goes over what they\u2019ve learned together about compromise. He interrupts her repeatedly and yells at her. <span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">These paragraphs kick off a real high-wire section of writing. You begin with a single incident in the library and use it to open up into recounting the most harrowing part of Sarah and her son&#8217;s background, before returning to the scene: &#8220;Finally, he calms down and they begin cleaning up.&#8221; Can you tell me anything about how you conceived and wrote this passage?<\/span><span class=\"annotation annotation-blue\">I wanted readers to connect to this everyday parenting moment we\u2019re all familiar with: a public tantrum. From there I wanted to provide the context necessary to understand all of the raw and complicated decisions Sarah is making at every moment. There is, on the most urgent level, her son\u2019s trauma. Then beneath that there\u2019s also her own suffering, and then the guilt she feels for the ways she has made him vulnerable. The weight of their traumatic history hangs over the rest of the piece and complicates the central question of the story: Can she raise her son to be a good man? In this moment, she needs to maintain absolute control and composure, even though she is falling apart on the inside.<\/span><strong><em>\u00a0<\/em><\/strong><\/span><br \/>\n<br \/>\n\u201cIf you want to do fun things, then you need to respect me, kiddo,\u201d Sarah says. \u201cCompromising means we can do things you want to do, but also things I want to do.\u201d<br \/>\n<br \/>\nHe starts to clean.<br \/>\n<br \/>\nHe stops again a few minutes later.<br \/>\n<br \/>\n\u201cMom, when I was in \u2014 what state was that?\u201d he asks.<br \/>\n<br \/>\nSarah\u2019s entire body tightens. Her eyes narrow.<br \/>\n<br \/>\n\u201cMississippi? Louisiana? Montana?\u201d she asks, one by one, trying not to sound urgent.<br \/>\n<br \/>\n\u201cMontana,\u201d he says, referring to a recent trip with his grandmother. \u201cMom, when I was in Montana, there was a guy who was a king. But he turned out to be a bad guy. His name was Pete!\u201d<br \/>\n<br \/>\nSarah\u2019s shoulders relax suddenly, but her eyes stay dim.<br \/>\n<br \/>\nSometimes her son shares normal stories from his imagination, but other times he shares difficult memories from their time living with her ex-boyfriend. Sometimes those things blend together.<br \/>\n<br \/>\nOne evening in August 2021, about a month after Sarah and her ex got back together, her son\u2019s babysitter came into the tattoo shop in Mississippi where Sarah and her boyfriend worked.<br \/>\n<br \/>\nThe sitter pulled Sarah aside to say that her son had recounted being abused by Sarah\u2019s boyfriend. The boy, standing with Sarah now, struggled to explain where and when it happened; the last few years were a blur of new states and new apartments. But Sarah believes much of the abuse must have taken place in Wyoming, before she stopped using drugs. While she was unconscious.<br \/>\n<br \/>\nDisparate memories crashed together like puzzle pieces. Red marks on the child\u2019s ear that he said were from Miles, his imaginary friend. The escalating pressure from her partner to use harder and harder drugs. The offers to watch her son while she did so.<br \/>\n<br \/>\nOvercome with emotion outside the shop, Sarah vomited onto the street.<br \/>\n<br \/>\nA co-worker took her and her son to the Gulfport Police Department. The department later interviewed her son, Sarah says, but would not pursue charges on the sexual abuse claims she made on her son\u2019s behalf because the alleged abuse happened in Wyoming. Sarah told friends she felt disrespected and belittled during the initial interview. A police escort accompanied Sarah home to gather her essential belongings, according to the co-worker, who added that they were never contacted for questioning.<br \/>\n<br \/>\nSarah also called police in Casper, where officers opened a case. They requested notes from the Gulfport police\u2019s interview with her son, but the investigation went nowhere because of a lack of evidence. A month later it was closed, according to public records; no one told Sarah and she never followed up.<br \/>\n<br \/>\nThose first few days, she would break down crying in front of her son. But a therapist warned her that if he saw her get upset, he might not tell her \u2014 or anyone \u2014 if something like that were to happen again.<br \/>\n<br \/>\nSarah felt herself pulled back to the sexual abuse she had experienced as a child. She thought about how family members were still mad at her for saying something. How inescapable the cycles of male entitlement and violence and trauma that had shaped her life seemed now. And she felt like she was to blame. Perhaps what hurt Sarah most was the realization that her substance abuse, which she had rationalized as a Band-Aid to her pain, had played a key role in her son\u2019s suffering. <span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">This piece thoroughly explores Sarah\u2019s situation \u2014 her struggles, her hopes for herself and her son \u2014 but takes pains not to reveal too many identifying details.Balancing what\u2019s needed for the truth of a story with the concerns of a story subject can be tricky. How did you navigate through that?<\/span><span class=\"annotation annotation-blue\">Throughout the reporting process, Sarah and I spoke under the agreement that I would have permission to use her full name in the story. There were certain conversations we needed to have before that point, though, because she is not a public figure. I explained what it meant to be on-the-record and off-the-record, the sort of corroborating interviews I would need to do along the way, that she would not necessarily know whom I was speaking. I also told her I would honor her decision to stop participating at any moment, up until publication, if it became too much. That would obviously be disappointing as a reporter, but it is important to clarify when working with trauma survivors who are private citizens.<\/span><\/span><br \/>\n<br \/>\n<span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-blue\">From there it was more complicated. Her 5-year-old son could not consent to having his story shared. This was ethically really prickly. To leave out what happened to him would distort the story, which at its heart is about the intergenerational cycles of trauma and toxic masculinity. It felt like too big of an omission. But I did not want to create a situation where his privacy was taken away from him for the rest of his life, every time someone searched his name or his mom\u2019s name on the internet. His right to privacy (now and in the future) was ultimately what drove the decisions we made about how many identifying details to include. We consulted with Sarah along the way and laid out our thinking. It was important that she have space to voice any concerns.<\/span><\/span><br \/>\n<br \/>\n<span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-blue\">Jabin Botsford, the photographer on the story, and I talked at length about capturing their life in truth and detail without showing their faces. He did a great job, and under extraordinary constraints.<\/span><\/span><br \/>\n<br \/>\nIn the United States, according to the Centers for Disease Control and Prevention, 1 in 4 girls and 1 in 13 boys are sexually abused as children, and in the vast majority of cases the abuser is known by the family. The abuse can cause a lifetime of mental health challenges including depression, addiction and increased suicide risk.<br \/>\n<br \/>\nOn the internet, Sarah found research that said children who are abused are likelier to become perpetrators. She asked herself, could her son one day hurt others?<br \/>\n<br \/>\nSarah struggled financially being on her own again, even with a few loans from her grandmother. She didn\u2019t try to sign up for public assistance because she hadn\u2019t been able to recover her identification from the home she shared with her ex-boyfriend, who did not respond to requests for comment from The Washington Post<strong>\u00a0<\/strong>that were delivered through four active social media accounts and by email. He was also unreachable by telephone and text message, including at a phone number associated with his tattoo business in Las Vegas, where a man who picked up the phone said that he did not know anyone by the name of Sarah\u2019s ex-boyfriend before ending the call.<br \/>\n<br \/>\nSarah felt herself unraveling.<br \/>\n<br \/>\nShe and her son moved in with friends, but she quickly wore out her welcome. She began to use meth regularly during that time, and soon relied on it to stay awake at various jobs. She would go long stretches without bathing and relinquished basic care of the boy to roommates for days at a time.<br \/>\n<br \/>\n<em>What kind of mother is that?<\/em><br \/>\n<br \/>\nIn her spiral, Sarah became consumed with her own pain, an unreliable narrator of her story and his.<br \/>\n<br \/>\nShe kept going like that for several months.<br \/>\n<br \/>\nIn a moment of clarity, she realized something needed to change.<br \/>\n<br \/>\nThat\u2019s when Sarah\u2019s grandmother persuaded her to let go of her pride and to come back to Wyoming. To live on the ranch and to start over closer to home. She and her son could be home by Christmas.<br \/>\n<br \/>\nNow it is late May. They have been back in Wyoming for six months. Sarah stopped doing meth the day before she left Mississippi, she says, and hasn\u2019t started again, though she has cravings. On the ranch, so long as her grandmother is alive, Sarah has enough money to buy her son toys and even to go to the nail salon occasionally.<br \/>\n<br \/>\nOn social media, raucous debates among white-collar professionals over the virtues and limits of the #MeToo movement draw millions of clicks.<br \/>\n<br \/>\nIn the American heartland, conservative politicians warn of a war against American masculinity.<br \/>\n<br \/>\nIn this little library in Buffalo, Wyo., Sarah\u2019s eyes strain to keep the Legos in focus. <span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">I love how you take us from more-abstract battlefields such as message boards, then zoom in to a very real person&#8217;s struggles. What did you want to accomplish with these three sentences?<\/span><span class=\"annotation annotation-blue\">I guess I wanted to raise a question: For all the attention this topic gets within a certain cultural caste, to what extent has our discourse over toxic masculinity changed the lives of Sarah and her son and working-class people like them? What protections are in place for the most vulnerable victims of male entitlement and violence? Who falls through the cracks and why?<\/span><\/span><strong><em>\u00a0<\/em><\/strong><br \/>\n<br \/>\nSarah\u2019s son climbs onto her and she holds him while he yells. Sometimes she hears from other parents, strangers, that she should not let him throw fits like that.<br \/>\n<br \/>\nFinally, he calms down and they finish cleaning up.<br \/>\n<br \/>\nAs they drive back to the ranch, they pass Crazy Woman Liquors and Crazy Woman Fine Art Gallery and Crazy Woman Candles and Gifts. Beyond it all lies Crazy Woman Mountain.<br \/>\n<br \/>\n\u201cI just know there\u2019s going to be so much for me to do in order to make up for all the s&#8212; I put him through,\u201d Sarah says later that evening. \u201cSo yeah, he has room to throw a temper tantrum. I don\u2019t even call it a temper tantrum. It\u2019s him expressing his emotions. And that\u2019s fine.\u201d<br \/>\n<br \/>\nShe will carry the guilt for the rest of her life.<br \/>\n<br \/>\nShe worries about all her son will carry.<br \/>\n<br \/>\n* * *<br \/>\n<br \/>\nWith some research, two versions of the myth of the Crazy Woman emerge, though the sourcing is thin no matter where you look.<br \/>\n<br \/>\nIn the first version: A White woman\u2019s family is killed by Native Americans, and she goes crazy from grief.<br \/>\n<br \/>\nIn the second: A Native American woman is the sole survivor after a deadly attack on her village, and she goes crazy from grief.<br \/>\n<br \/>\nThat\u2019s it.<br \/>\n<br \/>\nThe woman\u2019s reaction to this immeasurable trauma is all anyone knows about her, or cares to know about her. The Crazy Woman label is so ubiquitous in the region that few people ask any follow-up questions. The woman\u2019s race and context shifts, but her hysteria remains. She is at once a phantom and a cautionary tale, inscribed into the landscape of northeast Wyoming.<br \/>\n<br \/>\nWhat is this story for? What is it about?<br \/>\n<br \/>\nSarah thinks she knows.<br \/>\n<br \/>\n\u201cNobody gives a s&#8212; what you\u2019re going through, what you\u2019ve gone through,\u201d she says before a double shift at the restaurant, drawing pulls of relief from a vape pen. \u201cIf you don\u2019t leave that at the door, you just become the crazy b\u2014\u2014.\u201d<br \/>\n<br \/>\nThe details don\u2019t really matter to anyone. The shame is what sticks.<br \/>\n<br \/>\nBut did she ever find a way to cope with her sorrow?<br \/>\n<br \/>\nDid she go to work the next day?<br \/>\n<br \/>\nWhat was her name? <span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">The &#8220;Crazy Woman&#8221; iconography is so fitting for the story you&#8217;re telling. At what point did you realize that phrase had to be part of the story?<\/span><span class=\"annotation annotation-blue\">By the time I sat down to write, I knew that I wanted to interrogate the myth of the Crazy Woman\u00a0somewhere\u00a0in the story. The Crazy Woman just kept coming up while I was in northeast Wyoming. It was literally everywhere I turned. But it wasn\u2019t obvious where or how to do that in the piece. This breakout section\u00a0might have been a risk. It\u2019s not the sort of thing I\u2019ve really seen anywhere else, and certainly not in a newspaper feature. But I needed a shorter, quicker section in this precise spot in the story, to release some of the tension, and so I decided to just experiment. And it just felt to me like it worked.<\/span><\/span><br \/>\n<br \/>\n* * *<br \/>\n<br \/>\nEvery day now, after he gets home from prekindergarten, Sarah\u2019s son insists that it was the official last day. And every day Sarah argues with him that he still has a few more days to go.<br \/>\n<br \/>\n\u201cI have a calendar at home,\u201d she says one afternoon after she picks him up.<br \/>\n<br \/>\n\u201cWell then look at it!\u201d he responds.<br \/>\n<br \/>\nShe knows exactly when his last day is. She has been counting down.<br \/>\n<br \/>\nIt is June now, and Sarah has abruptly decided it is time for them to leave the ranch. They\u2019ll leave as soon as school is out for the summer.<br \/>\n<br \/>\nSarah quit her job at the restaurant last week, hastily, after the other women at work began to make comments about her refusing to wear a bra. They accused her of trying to sexualize herself, Sarah fumes, though she just wanted to be more comfortable.<br \/>\n<br \/>\n\u201cWhat part of my body don\u2019t they understand?\u201d she says on her way to pick up her final paycheck. \u201cMy Nana keeps saying I can\u2019t always swim against the current, so I\u2019m switching rivers.\u201d<br \/>\n<br \/>\nShe has managed to save up $650 during her time on the ranch.<br \/>\n<br \/>\nSarah is sporting a new tattoo on her forehead, a Japanese symbol in red ink inspired by an anti-hero, Gaara, from an anime series she and her son like to watch together. Sarah finds comfort in the show\u2019s characters. Each one has a terrible past, but, despite all their struggles, they change for the better.<br \/>\n<br \/>\nHer son likes that there are bad guys that the good guys have to battle.<br \/>\n<br \/>\nSarah\u2019s plan is to move to a nearby town with her sister, who has a 1-year-old baby. They will help each other with child care; her sister will work the overnight shift, and Sarah will work swing shifts from midafternoon to late evening. She has submitted four applications for temporary jobs while she figures out what to do next. She feels steady.<br \/>\n<br \/>\nSarah is starting to dream again about working as a tattoo artist, maybe even at an all-women tattoo shop. Or perhaps she will enroll in courses at the local community college.<br \/>\n<br \/>\nBut she is startled when her son tells her that he choked one of his classmates recently on the playground.<br \/>\n<br \/>\nShe asks what he means by \u201cchoked.\u201d<br \/>\n<br \/>\n\u201cThis is the backstory: He caught me taking his stuff,\u201d he tells her. \u201cThen he taught me a lesson. He whacked me in the head.\u201d<br \/>\n<br \/>\nNow she is remembering that a teacher offered her parenting classes.<br \/>\n<br \/>\n<em>What kind of mother is that?<\/em><br \/>\n<br \/>\nSarah thinks about how her little boy sometimes puts his hand across her mouth, and she wonders if he learned it from her ex-boyfriend, who she has recently been looking up online. She has been following the Johnny Depp defamation trial against Amber Heard and worries she could get sued for warning others about the alleged abuse, especially in the absence of official police charges.<br \/>\n<br \/>\n\u201cWhat if someone came into your room and took your stuff?\u201d she asks her son.<br \/>\n<br \/>\n\u201cI would probably punch them in the face!\u201d he says, laughing.<br \/>\n<br \/>\nShe is always trying to figure out which of his behaviors are just normal boy things.<br \/>\n<br \/>\n\u201cDo you remember what I told you about respecting people\u2019s boundaries?\u201d Sarah tells him.<br \/>\n<br \/>\nHe looks at her. His face turns tough. Then it turns sweet.<br \/>\n<br \/>\n\u201cOh, yeah,\u201d he says.<br \/>\n<br \/>\nIn this moment, in every moment like this, Sarah maps a way forward: If she can raise her son to be a good man, it will be by teaching him to talk about his feelings and<strong>\u00a0<\/strong>to ask for help. No matter how painful it is.<br \/>\n<br \/>\nShe wants him to know that his sadness has a place to go. That she can handle whatever it is.<br \/>\n<br \/>\nShe wants that to be true, at least.<br \/>\n<br \/>\nBut some days, Sarah\u2019s despair is once again becoming so profound that it consumes her entirely. It leaves little space for her son. Her addictions are under control, she tells herself, and yet she also admits the ache is there \u2014 for alcohol now in particular, but also for male attention. The feedback loop of pain and temporary relief and more pain is familiar; she doesn\u2019t know if she is really strong enough to break it. She relies on her son to steady her, to give her purpose.<br \/>\n<br \/>\nSarah wonders briefly if she should stay on the ranch after all, where her grandmother acts as a guardrail. But she dismisses it just as quickly.<br \/>\n<br \/>\nA few minutes later, Sarah\u2019s son cuddles up to her. He is carrying some balloons Sarah bought him at the grocery store earlier in the day.<br \/>\n<br \/>\n\u201cMomma, I want to use these balloons for my birthday party because I don\u2019t want them to go to waste.\u201d<br \/>\n<br \/>\nIn a few weeks he is turning 6. <span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">Describe your reporting and writing process for this story.<\/span><span class=\"annotation annotation-blue\">I eventually asked Sarah to consider letting me write about her and her son. I explained all it would entail in terms of process and access. I also told her I didn\u2019t want an answer right away, so that she could consider it carefully. You have to take extra care when dealing with somebody who has experienced abuse; you need to approach them with humanity and even care. That means slowing everything down and thoroughly explaining the process, over and over again. She ultimately saw the value in it and agreed to participate.<\/span><\/span><br \/>\n<br \/>\n<span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-blue\">We must have talked by phone for a dozen hours over the course of several months. This was sometimes a challenge because she didn\u2019t have much money, so her phone would get cut off every few weeks. But we made it work. When I finally showed up in Wyoming again, she had just decided to leave the ranch where they were living with her grandmother as a sort of safehouse. It was very unexpected and a little unnerving, but I ended up with a front-row seat to their final week there.<\/span><\/span><br \/>\n<br \/>\n<span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-blue\">When I sat down to write, I realized that because of the amount of time it took for this story to come together I had managed to see the entire arc of her time on the ranch, where she was trying to put her life back together. This is ultimately reflected in the structure of the piece. The present-day narrative backbone of the story is couched in what I observed firsthand. Then I decided to use a kind of braided structure to bring in the summary narrative from the past. It\u2019s a useful move, in terms of packing biography and history into the piece while keeping the narrative moving forward. Because of that, structurally, the past continually echoes throughout the present in this piece; and, by the way, that\u2019s true to life and true to trauma.<\/span><\/span><br \/>\n<br \/>\n<span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-blue\">This isn\u2019t a pat story that treats healing as a linear thing. It\u2019s about the long reach of abuse and how difficult it is to escape across time and across generations.<\/span><\/span><br \/>\n<br \/>\n* * *<br \/>\n<br \/>\nThe little boy waves a bubble wand at Sarah, whose eyes look far away. He looks puzzled as he flips the see-through tube upside down, then right-side up. He asks why the air pocket always stays on top and the liquid falls to the bottom.<br \/>\n<br \/>\n\u201cDo you know what gravity is, baby?\u201d Sarah asks, focusing in on him.<br \/>\n<br \/>\n\u201cYeah, it helps you stay on the ground, like stay on the earth,\u201d he says. \u201cWe\u2019re using gravity right now.\u201d<br \/>\n<br \/>\nSarah explains that the water is heavier than the air in the tube, so it always gets pulled down to the bottom. He is impressed.<br \/>\n<br \/>\nSarah beams with pride.<br \/>\n<br \/>\nShe rubs her hands through his hair.<br \/>\n<br \/>\nThey giggle together.<br \/>\n<br \/>\n* * *<br \/>\n<br \/>\nSarah has already packed two black trash bags full of clothes and is beginning to fill a third when tears start to fall down her face. The past year hits her all at once.<br \/>\n<br \/>\n\u201cHe probably hasn\u2019t even told me half of what was done to him,\u201d Sarah says now, in private, taking big gulps of air.<br \/>\n<br \/>\nShe can hear the boy outside talking to the other grown-ups. She marvels at his resilience, and fears it, too.<br \/>\n<br \/>\n\u201cCongratulate me because it\u2019s my last day until kindergarten!\u201d he tells them, ecstatic.<br \/>\n<br \/>\nSoon there will be a new home and a new classroom and a new schedule. Maybe at his new school, he wonders, there will be some kids who want to be his friends.<br \/>\n<br \/>\nSarah gets her breathing under control.<br \/>\n<br \/>\nHer son is in the next room, pulling out school supplies from his backpack. A crayon box. A miniature blow-up beach ball. A paper crown that says \u201cI did it!\u201d<br \/>\n<br \/>\nSarah believes that it is not too late to turn trauma into triumph. That she can keep her focus on her son\u2019s future and not her past. That she is strong enough to do so. This is a mother\u2019s charge, she tells herself, and it may yet save her or break her.<br \/>\n<br \/>\nShe dries her face and steps out into the living room, where her son runs to ask her if they can draw together. <span class=\"article-annotation-mod article-annotation-active\"><a class=\"article-annotation-control\"><\/a><span class=\"annotation annotation-red\">Why did you choose this as the story&#8217;s final image?<\/span><span class=\"annotation annotation-blue\">When you have the kind of access I had on this story, there\u2019s a temptation to just keep reporting, to keep adding more scenes, to bring readers to their new town and new home and beyond. In honesty, I did keep reporting. But stories need to end! Sarah wasn\u2019t going to tolerate me following them forever. I chose this moment as the final image because I liked that the possibilities were wide open. They are at a real inflection point in their lives.<\/span><\/span><strong><em>\u00a0<\/em><\/strong><br \/>\n<br \/>\n* * *<br \/>\n<br \/>\n<i>The Washington Post does not identify victims of sexual or domestic violence without their consent. To protect the privacy of Sarah\u2019s son, The Post has not named him and has identified Sarah only by her first name. The Post has not named Sarah\u2019s ex-boyfriend because no charges were filed against him by two police departments that Sarah contacted with allegations of abuse. He did not respond to numerous\u00a0<\/i><i>requests<\/i><i>\u00a0for comment from The Post. The present-day action described in the story was observed firsthand. Events taking place before 2022 were reported through public documents and corroborating interviews.<\/i><br \/>\n<br \/>\n* * *<br \/>\n<br \/>\n<em><strong>Trevor Pyle <\/strong>was a newspaper reporter in the Pacific Northwest for several years, and now works as a communications officer for a regional nonprofit.<\/em>\n\n        <\/div>\n    <\/div>\n","protected":false},"excerpt":{"rendered":"<p>Jose A. Del Real delivers a range of straightforward but sensitive stories in The Washington Post series about &#8220;Masculinity in America&#8221;<\/p>\n","protected":false},"author":1,"featured_media":9472,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10],"tags":[],"topics":[],"authors":[11],"issue":[],"class_list":["post-2377","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-annotation-tuesday","authors-trevor-pyle"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A profile of a single mom trying to raise a &quot;good man&quot; balances transparency and privacy - Nieman Storyboard<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/niemanstoryboard.org\/2023\/01\/19\/profile-character-interviews-privacy-transparency-ethics\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A profile of a single mom trying to raise a &quot;good man&quot; balances transparency and privacy - Nieman Storyboard\" \/>\n<meta property=\"og:description\" content=\"Jose A. 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