{"id":2432,"date":"2023-05-31T12:00:02","date_gmt":"2023-05-31T12:00:02","guid":{"rendered":"https:\/\/niemanstoryboard.org\/2023\/05\/31\/ladder-of-abstraction-narrative-writing-details-theme-empathy\/"},"modified":"2025-03-18T14:55:55","modified_gmt":"2025-03-18T14:55:55","slug":"ladder-of-abstraction-narrative-writing-details-theme-empathy","status":"publish","type":"post","link":"https:\/\/niemanstoryboard.org\/2023\/05\/31\/ladder-of-abstraction-narrative-writing-details-theme-empathy\/","title":{"rendered":"Climbing the &#8220;ladder of abstraction&#8221; to evoke empathy and elevate your message"},"content":{"rendered":"    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p><strong><em>EDITOR\u2019S NOTE:&nbsp;<\/em><\/strong><em>In the spirit of transparency,&nbsp;<\/em><em>Korrina Duffy wrote this post after attending a weeklong writing workshop I teach through the&nbsp;<a href=\"https:\/\/www.madelineartschool.com\/shop\/writing\/jacqui-banaszynski\/crafting-the-true-story-an-exploration-of-creative-nonfiction-on-madeline-island-copy\/\" target=\"_blank\" rel=\"noreferrer noopener\">Madeline Island School of Arts<\/a>.<\/em><\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p class=\"has-drop-cap\">\u201cThe more specific, the more universal.\u201d That\u2019s a paradoxical truth about writing that a small group of writers struggled to understand at a recent nonfiction story craft workshop as the seminar leader \u2014 editor and story coach Jacqui Banaszynski \u2014 pointed to the bottom of a ladder she had just sketched on a large sheet of flipchart paper.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>She was demonstrating what she called the \u201cladder of abstraction,\u201d a concept adapted by some narrative writers from the theories of&nbsp;<a href=\"https:\/\/www.nytimes.com\/1992\/02\/28\/us\/s-i-hayakawa-dies-at-85-scholar-and-former-senator.html\" target=\"_blank\" rel=\"noreferrer noopener\">S.I. Hayakawa<\/a>, a former U.S. senator and English professor. Hayakawa\u2019s 1941 book, \u201cLanguage in Action,\u201d (later updated to \u201cLanguage in Thought and Action\u201d) was an exploration of the meaning of various levels of language, from common to rhetorical.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>The ladder of abstraction, we were told, is a useful tool to consider the levels of language a writer can use in storytelling, with diction that goes from the concrete and specific at the bottom to the abstract and universal at the top. An example: At the bottom of the ladder, a story subject \u2014 whether it\u2019s a person, place or thing \u2014 is made real through vivid description and detail. And, for some reason, the more specific those details, the more universal or relatable they become to readers. It was a new concept to me \u2014 one I was struggling to understand.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>I wasn\u2019t alone. After dinner one evening, several of my classmates and I puzzled over how this could be.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Then I thought about how I felt when I read Banaszynski\u2019s \u201cAIDS in the Heartland\u201d piece in advance of the workshop. The specific details she gave about Dick Hanson, a farmer living with and dying of AIDS in the 1980s, made him feel real and even relatable, despite Dick and I having drastically different identities and experiences. In a scene from Dick\u2019s funeral, Banaszynski described the memorabilia that represented his life included \u201ca well-thumbed Bible,\u201d \u201ca grubby powerline protest T-shirt,\u201d and \u201ca splendid bouquet of gladiolas\u201d that he had grown in his garden next to his farmhouse. He is at once a gay, religious, liberal political activist and a farmer with a love of fresh flowers. He is complex \u2014 a mix of contradictions, aspirations and everyday interests. Like us all.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>And then it clicked for me: The more specific the details, the more that a character becomes real, and the more a character becomes real, the more that a reader can empathize with that character, and the more a reader can empathize with a character, the more universal that character\u2019s story becomes \u2014 even a story far different from their own.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-heading   max-w-screen-full mx-auto\">\n            \n<h2 class=\"wp-block-heading\">The science of empathy<\/h2>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>As I considered all of this, I reflected on my PhD training in psychology and neuroscience and two important lessons that I learned about how empathy is evoked.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>The first lesson is that empathy is built when someone is made real to us, and particularly when we come to know their heart and mind. Knowing that someone loves fresh cut flowers, particularly gladiolas, is endearing and sweet. Knowing what someone loves, hates, fears and desires allows us to connect with these universal human emotions.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>The second lesson is that the more that someone is different from us, the more that we must come to see our shared humanity with them to build empathy. In the 1980s, when the country was gripped in a profound empathy gap for gay men dying of AIDS, Dick Hanson\u2019s story is powerfully humanizing and heartbreaking, and for these reasons, I think, helped to close the gap, one reader at a time.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Specific, concrete details ground a story to, well, the ground. At the top of the ladder, the writer can help the reader see the bigger picture that only emerges when viewed from above, connecting the details of a story to their higher meaning. In her stories, Jacqui shows how this is done when she extracts the essence from the details. She writes that the statistics about the toll of AIDS:<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-quote mb-5   max-w-screen-full mx-auto\">\n            \n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>\u2026 say nothing of the joys of a carefully tended vegetable garden and new kittens under the shed, of tender teasing and magic hugs. Of flowers that bloom brighter and birds that sing sweeter and simple pleasures grown profound against the backdrop of a terminal illness. Of the powerful bond between two people who pledged for better or worse and meant it.<\/p>\n\n        <\/div>\n    <\/div>\n<\/blockquote>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>This message makes Dick\u2019s love of his partner, Bert Henningson, universal to anyone who has made a similar commitment. Top-of-the-ladder moments of a piece are often the most moving, compelling and influential because they are abstract and universal, exploring broad themes of the human experience.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>The middle part of the ladder is generally explanatory, providing background and process and making connections. For example, in Jacqui\u2019s piece, these statistics are not specific enough to be at the bottom of the ladder but not abstract enough to be at top either:<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-quote mb-5   max-w-screen-full mx-auto\">\n            \n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>(Dick) is one of 210 Minnesotans and 36,000 Americans who have been diagnosed with AIDS since the disease was identified in 1981. More than half of those patients already have died, and doctors say it is only a matter of time for the rest. The statistics show that 80 to 90 percent of AIDS sufferers die within two years of diagnosis.<\/p>\n\n        <\/div>\n    <\/div>\n<\/blockquote>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>Writing is more transportive, more powerful when a writer climbs up and down the ladder throughout a piece, pulling the reader in with specific, concrete details to build empathy for a character and then zooming out with abstract language to suggest its universal message. Without being supported by the bottom of the ladder, the universal messages at the top could sound empty or clich\u00e9d. Without being elevated by the top of the ladder, the specific details at the bottom could seem unimportant, like word clutter.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>So, the next time you write a story, be sure to consider moving up and down the ladder of abstraction so you build empathy for a character with telling details at the bottom, then leverage these details to reveal your message at the top.<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p>* * *<\/p>\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-classic mb-5   max-w-screen-full mx-auto\">\n            \n\n\n        <\/div>\n    <\/div>\n    \n    <div class=\"  core-block\">\n        <div class=\"block block--core block--core-paragraph mb-5   max-w-screen-full mx-auto\">\n            \n<p><em><strong>Korrina Duffy<\/strong>&nbsp;is an assistant professor and scientific writer&nbsp;in the Department of Psychiatry&nbsp;at the University of Colorado \u2013 Anschutz Medical Campus.<\/em><\/p>\n\n        <\/div>\n    <\/div>\n","protected":false},"excerpt":{"rendered":"<p>A concept adapted from theories of rhetoric can help writers choose details that add both intimacy and universality to a story<\/p>\n","protected":false},"author":1,"featured_media":9640,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[12],"tags":[],"topics":[],"authors":[384],"issue":[],"class_list":["post-2432","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essays-on-craft","authors-korrina-duffy"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Climbing the &quot;ladder of abstraction&quot; 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