{"version":"1.0","provider_name":"Nieman Storyboard","provider_url":"https:\/\/niemanstoryboard.org","author_name":"commonmedia","author_url":"https:\/\/niemanstoryboard.org\/author\/commonmedia\/","title":"A panoramic approach to a book about the Sept. 11 boat lift - Nieman Storyboard","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"TtDzCJvrRx\"><a href=\"https:\/\/niemanstoryboard.org\/2021\/09\/07\/a-pointillistic-approach-to-a-story-of-the-sept-11-boat-lift\/\">A panoramic approach to a book about the Sept. 11 boat lift<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/niemanstoryboard.org\/2021\/09\/07\/a-pointillistic-approach-to-a-story-of-the-sept-11-boat-lift\/embed\/#?secret=TtDzCJvrRx\" width=\"600\" height=\"338\" title=\"&#8220;A panoramic approach to a book about the Sept. 11 boat lift&#8221; &#8212; Nieman Storyboard\" data-secret=\"TtDzCJvrRx\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/niemanstoryboard.org\/wp\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/3896974221a557989341aa75bb4f6141.jpg","thumbnail_width":640,"thumbnail_height":480,"description":"n \u201cThe Art of Description: World into Word,\u201d Mark Doty writes that Proust endeavored to \u201cdilate the sentence toward its outer limit, so that one would feel the blur of space and time that the unit of syntax held all at once, as it were \u2014 like seeing a whole landscape reflected back to you [&hellip;]"}