{"version":"1.0","provider_name":"Nieman Storyboard","provider_url":"https:\/\/niemanstoryboard.org","author_name":"commonmedia","author_url":"https:\/\/niemanstoryboard.org\/author\/commonmedia\/","title":"The fashion critic of The New York Times sees clothing as an extension of culture - Nieman Storyboard","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"GPQFbhZGSy\"><a href=\"https:\/\/niemanstoryboard.org\/2020\/11\/03\/the-fashion-critic-of-the-new-york-times-sees-clothing-as-an-extension-of-culture\/\">The fashion critic of The New York Times sees clothing as an extension of culture<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/niemanstoryboard.org\/2020\/11\/03\/the-fashion-critic-of-the-new-york-times-sees-clothing-as-an-extension-of-culture\/embed\/#?secret=GPQFbhZGSy\" width=\"600\" height=\"338\" title=\"&#8220;The fashion critic of The New York Times sees clothing as an extension of culture&#8221; &#8212; Nieman Storyboard\" data-secret=\"GPQFbhZGSy\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/niemanstoryboard.org\/wp\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/niemanstoryboard.org\/app\/uploads\/2024\/03\/flaunter-op66nZ52Vg8-unsplash-scaled-e1604363965409.jpg","thumbnail_width":750,"thumbnail_height":500,"description":"s chief fashion critic and director for The New York Times, Vanessa Friedman has written odes to Karl Lagerfeld and Kenzo Takada \u2014 major designers who passed this year \u2014 and considered the fashion statements made by the late Ruth Bader Ginsburg. She has explored the choice of outfits of Joe Biden and Donald Trump, [&hellip;]"}