{"version":"1.0","provider_name":"Nieman Storyboard","provider_url":"https:\/\/niemanstoryboard.org","author_name":"commonmedia","author_url":"https:\/\/niemanstoryboard.org\/author\/commonmedia\/","title":"Breakable Rules for Literary Journalists - Nieman Storyboard","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"YUIrW8A6ZJ\"><a href=\"https:\/\/niemanstoryboard.org\/1995\/01\/01\/breakable-rules-for-literary-journalists\/\">Breakable Rules for Literary Journalists<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/niemanstoryboard.org\/1995\/01\/01\/breakable-rules-for-literary-journalists\/embed\/#?secret=YUIrW8A6ZJ\" width=\"600\" height=\"338\" title=\"&#8220;Breakable Rules for Literary Journalists&#8221; &#8212; Nieman Storyboard\" data-secret=\"YUIrW8A6ZJ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/niemanstoryboard.org\/wp\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"When writers, readers, English teachers, librarians, bookstore people, editors, and reviewers discuss extended digressive narrative nonfiction these days, they\u2019re fairly likely to call it literary journalism. The previous term in circulation was Tom Wolfe\u2019s contentious \u201cNew Journalism.\u201d Coined in the rebellious mid-\u201960s, it was often uttered with a quizzical tone and has fallen out of [&hellip;]"}